In this matte painting, a current image of the Asturian pre-Romanesque church of San Miguel de Lillo (9th century) has been taken as the basis for the superposition of the originally built structure. A few centuries after its construction, more than 2/3 of the eastern section collapsed due to foundation problems and only the entrance section has been preserved since then. The reconstruction is based on hypotheses raised in the article: Arias Páramo, L. (2005). "Reconstrucción de la iglesia de San Miguel de Liño", Liño. Revista anual de historia del arte, No. 11, pp. 9-47.